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List of compositions by Dmitri Shostakovich

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Dmitri Shostakovich in 1950

Dmitri Shostakovich typically catalogued his compositions and occasionally his arrangements of other composers' music with opus numbers. He began this practice with the early Scherzo in F-sharp minor and continued until the end of his life. Nevertheless, most of his juvenilia, unfinished works from his artistic maturity (such as the operas Orango and The Gamblers), and numerous completed works were left unnumbered. There were also instances when Shostakovich took an opus number assigned to one work, then gave it to another, or was undecided about the numbering of a finished composition. Further complicating the matter was an error he committed in compiling his own music in the 1930s. This led to his soundtracks for The Youth of Maxim and Girl Friends sharing the same opus number.[1]

By genre

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Symphonies

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Concertos

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Suites

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  • Op. 15a: Suite from The Nose, for tenor, baritone, and orchestra (1927–1928)
  • Op. 22a: Suite from The Age of Gold, for orchestra (1929–1930)
  • Op. 27a: Suite from The Bolt, for orchestra (1931)
  • Op. 30a: Suite from Golden Mountains, for orchestra (1931)
  • Op. 32a: Suite from Hamlet, for small orchestra (1932)
  • Op. 36a: Suite from The Tale of the Priest and of His Workman Balda (1935)
  • Suite for Jazz Orchestra No. 1 (1934)
  • Op. 39a: Suite from The Limpid Stream, for orchestra (1934–1935)
  • Op. 50a: Suite from The Maxim Trilogy for chorus and orchestra (1938)
  • Suite for Jazz Orchestra No. 2 (3 movements) (1938)
  • Op. 64a: Suite from Zoya, for chorus and orchestra (1944, arranged by Levon Atovmyan [ru])
  • Op. 75a: Suite from The Young Guard (1951, arranged by Levon Atovmyan)
  • Op. 76a: Suite from Pirogov, for orchestra (1947, arranged by Levon Atovmyan)
  • Op. 78a: Suite from Michurin, for chorus and orchestra (1964, arranged by Levon Atovmyan)
  • Op. 80a: Suite from Meeting on the Elbe, for voices and orchestra (1948)
  • Op. 82a: Suite from The Fall of Berlin, for chorus and orchestra (1949, arranged by Levon Atovmyan)
  • Ballet Suite No. 1, for orchestra (1949, arranged by Levon Atovmyan)
  • Ballet Suite No. 2, for orchestra (1951, arranged by Levon Atovmyan)
  • Ballet Suite No. 3, for orchestra (1953, arranged by Levon Atovmyan)
  • Ballet Suite No. 4, for orchestra (1953, arranged by Levon Atovmyan)
  • Op. 85a: Suite from Belinsky, for chorus and orchestra (1960, arranged by Levon Atovmyan)
  • Op. 89a: Suite from The Unforgettable Year 1919, for orchestra (1953, arranged by Levon Atovmyan)
  • Op. 97a: Suite from The Gadfly, for orchestra (1955, arranged by Levon Atovmyan)
  • Op. 99a: Suite from The First Echelon, for chorus and orchestra (1956)
  • Suite for Variety Orchestra (8 movements) (post-1956)
  • Op. 111a: Suite from Five Days, Five Nights, for orchestra (1961)
  • Op. 114a: Suite of Five Fragments from the opera Katarina Izmailova, for orchestra (1963)
  • Op. 116a: Suite from Hamlet, for orchestra (1964, arranged by Levon Atovmyan)
  • Op. 120a: Suite from A Year Is Like a Lifetime, for orchestra (1965)

Miscellaneous symphonic works

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  • Op. 1: Scherzo in F♯ minor, for orchestra (1919)
  • Op. 3: Theme and Variations in B♭ major, for orchestra (1921–1922)
  • Op. 7: Scherzo in E♭ major, for orchestra (1923–1924)
  • Op. 23: Overture and Finale to Erwin Dressel's opera Armer Columbus, for orchestra (1929)
  • The Green Company, overture for orchestra (1931)
  • Op. 42: Five Fragments, for small orchestra (1935)
  • Solemn March, for military band/wind orchestra (1942)
  • Three Pieces, for orchestra (1947–1948)
  • Op. 96: Festive Overture in A major, for orchestra (1954)
  • Op. 111b: Novorossiisk Chimes, the Flame of Eternal Glory, for orchestra (1960)
  • Op. 115: Overture on Russian and Kirghiz Folk Themes, for orchestra (1963)
  • Op. 130: Funeral-Triumphal Prelude, for orchestra (1967)
  • Op. 131: October, symphonic poem in C minor for orchestra (1967)
  • Op. 139: "March of the Soviet Militia", for military band/wind orchestra (1970)
  • "Intervision", for orchestra (1971)

String quartets

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Other chamber/instrumental works

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  • Op. 8: Piano Trio No. 1 in C minor (1923)
  • Op. 9: Three Pieces, for cello and piano (1923–1924, lost; a fourth piece may have been destroyed by the composer)
  • Op. 11: Two Pieces, for string octet (1924–1925)[2]
  • Impromptu, for viola and piano (1931)
  • Op. 40: Cello Sonata in D minor (1934)
  • Op. 40a: Moderato, for cello and piano (1934)
  • Op. 57: Piano Quintet in G minor (1940)
  • Op. 58i: Polka in F♯ minor, for two harps (1941)
  • Op. 67: Piano Trio No. 2 in E minor (1944)
  • Op. 134: Violin Sonata (1968)
  • Op. 147: Viola Sonata (1975)

Piano

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  • Op. 2: Eight Preludes (1919–1920)
  • Minuet, Prelude, and Intermezzo (1917 or 1919–1920)
  • Op. 5: Three Fantastic Dances (1922)
  • Op. 6: Suite in F♯ minor for two pianos (1922)
  • Op. 12: Sonata No. 1 (1926)
  • Op. 13: Aphorisms (1927)
  • Op. 34: 24 Preludes (1932–1933)
  • Op. 61: Sonata No. 2 in B minor (1943)
  • Op. 69: Children's Notebook (1944–1945)
  • Murzilka (1944–1945)
  • Merry March for two pianos (1949)
  • Op. 87: 24 Preludes and Fugues (1950-1951)
  • Dances of the Dolls (1952)
  • Op. 94: Concertino in A minor for two pianos (1953)
  • Tarantella for two pianos (1954)
  • Variations VIII, IX, and XI for the Eleven Variations on a Theme by Glinka (1957)

Operas

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  • The Gypsies, opera after Pushkin (1919–1920; partially destroyed)
  • Op. 15: The Nose, satirical opera in three acts (and an epilogue) after Gogol (1927–1928); also a suite for orchestra (see Op. 15a)
  • Op. 29: Lady Macbeth of the Mtsensk District, opera in four acts after Leskov (1930–1934); later revised as Katerina Ismailova (see Op. 114); also a suite for orchestra (see Op. 29a)
  • The Big Lightning, comic opera (1932–1933; unfinished)
  • Orango, satirical opera in three acts (and a prologue) (1932; unfinished)
  • The Twelve Chairs, operetta (1939; unfinished sketches)
  • Katyusha Maslova, opera after Tolstoy's novel Resurrection (1940–1941; unfinished sketches)
  • The Gamblers, opera after Gogol (1941–1942; unfinished); completion in two acts by Krzysztof Meyer in 1978
  • Op. 105: Moscow, Cheryomushki, operetta in three acts (1957–1958); also a film version (see Op. 105a)
  • Op. 114: Katerina Ismailova, opera in four acts after Leskov (1956–1963); revision of Lady Macbeth of the Mtsensk District (see Op. 29); also a suite of five entr'actes (see Op. 114a) and a film version

Ballets

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  • Op. 22: The Golden Age, three acts (1929–1930)
  • Op. 27: The Bolt, three acts (1930–1931)
  • Op. 39: The Limpid Stream (also translated as The Bright Stream), three acts (1934–1935; some numbers recycled from Op. 27)
  • The Lady and the Hooligan, one act (7 scenes) (1962; compiled and arranged from the scores of Ops. 27, 39, 40, 50a, 95, and 97 by Levon Atovmyan)
  • The Dreamers, four acts (1975; compiled from the scores of Ops. 22 and 27 by the composer and Sergei Sapozhnikov)

Film scores

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Incidental music

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  • Op. 19: Music to the comedy The Bedbug by Mayakovsky (1929)
  • Op. 24: Music to the play The Gunshot by Bezymensky (1929)
  • Op. 25: Music to the play Virgin Soil by Gorbenko and L'vov (1930)
  • Op. 28: Music to the play Rule, Britannia! by Adrian Piotrovsky (1931)
  • Op. 31: Music to the stage revue Hypothetically Murdered by Vasili Voyevodin and E. Riss (1931)
  • Op. 32: Music to the play Hamlet by Shakespeare (1931–1932)
  • Op. 37: Music to the play The Human Comedy after Balzac for small orchestra (1933–1934)
  • Op. 44: Music to the play Hail, Spain by Afinogenov (1936)
  • Op. 58a: Music to the play King Lear by Shakespeare (1940)
  • Op. 63: Music to the spectacle Native Country, suite Native Leningrad (1942)
  • Op. 66: Music to the spectacle Russian River for soloists, choir and orchestra (1944)
  • Op. 72: Two Songs to the spectacle Victorious Spring after Svetlov for voices and orchestra (1945)

Choral

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  • The Oath to the People's Commissar for bass, chorus and piano (1941)
  • Songs of a Guard's Division ("The Fearless Regiments Are On the Move"), marching song for bass and mixed chorus with simple accompaniment for bayan or piano (1941)
  • Russian Folk Songs for chorus (1943)
  • Three Russian Folk Songs for two soloists and chorus with piano accompaniment (1943)
  • Op. 74: Poem of the Motherland, cantata for mezzo-soprano, tenor, two baritones, chorus and orchestra (1947)
  • Rayok (Little Paradise) for four voices, chorus and piano (1948)
  • Op. 81: Song of the Forests, oratorio after Dolmatovsky for tenor, bass soli, mixed & boys' chorus and orchestra (1949)
  • Op. 86a: The Homeland Hears for chorus and tenor soloist with wordless chorus (1951)
  • Op. 88: Ten Poems on Texts by Revolutionary Poets for chorus and boys' chorus a cappella (1951)
  • Op. 90: The Sun Shines over Our Motherland, cantata after Dolmatovsky for mixed & boys' chorus and orchestra (1952)
  • Op. 104: Cultivation: Two Russian Folk Song Arrangements for chorus a cappella (1957)
  • Op. 119: The Execution of Stepan Razin, cantata after Yevtushenko for bass, mixed chorus and orchestra (1964)
  • Op. 124: Two Choruses after Davidenko for chorus and orchestra (1962)
  • Op. 136: Loyalty, eight ballads after Dolmatovsky for unaccompanied male chorus (1970)

Vocal

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  • Op. 4: Two Fables of Krylov for mezzo-soprano, female chorus and chamber orchestra (1922)
  • Op. 21: Six Romances on Texts by Japanese Poets for tenor and orchestra (1928–1932)
  • From Karl Marx to Our Own Days, symphonic poem for solo voices, chorus and orchestra (1932)
  • Impromptu: Madrigal, for voice and piano (1933)
  • Op. 46: Four Romances on Verses by Pushkin for bass and piano (1936–1937)
  • Seven Arrangements of Finnish Folk Songs for soloists (soprano and tenor) and chamber ensemble (1939)
  • Op. 62: Six Romances on Verses by English Poets for bass and piano (1942)
  • Patriotic Song after Dolmatovsky for voices (1943)
  • "Song About the Red Army" after Golodny (1943)
  • Op. 79: From Jewish Folk Poetry, song cycle for soprano, contralto, tenor and piano (1948)
  • Op. 79a: From Jewish Folk Poetry, song cycle for soprano, contralto, tenor and orchestra (1948)
  • Op. 80b: Three Songs from Meeting on the Elbe for voice and piano (1956)
  • Op. 84: Two Romances on Verses by Lermontov for male voice and piano (1950)
  • Op. 86: Four Songs to Words by Dolmatovsky for voice and piano (1951)
  • Op. 91: Four Monologues on Verses by Pushkin for bass and piano (1952)
  • Greek Songs for voice and piano (1952–1953)
  • Pendozalis, Greek Song for voice and piano (1954)
  • October Dawn, song for soloists and chorus (1954)
  • Op. 98: Five Romances on Verses by Dolmatovsky for bass and piano (1954)
  • Op. 98a: "There Were Kisses", song after Dolmatovsky for voice and piano (1954)
  • Op. 100: Spanish Songs for (mezzo)soprano and piano (1956)
  • Op. 109: Satires (Pictures of the Past), Five Romances on Verses by Sasha Chorny for soprano and piano (1960) (arranged for voice and orchestra by B. Tishchenko, 1980)
  • Op. 121: Five Romances on Texts from the Magazine Krokodil for bass and piano (1965)
  • Op. 123: "Preface to the Complete Collection of My Works and Brief Reflections on this Preface" for bass and piano (1966)
  • Op. 127: Seven Romances on Poems by Alexander Blok for soprano, violin, cello and piano (1967)
  • Op. 128: Romance "Spring, Spring" to Verses by Pushkin for bass and piano (1967)
  • Op. 140: Six Romances on Verses by English Poets for bass and chamber orchestra (1971)
  • Op. 143: Six Poems by Marina Tsvetayeva, suite for contralto and piano (1973)
  • Op. 143a: Six Poems by Marina Tsvetayeva, suite for contralto and orchestra (1973)
  • Op. 145: Suite on Verses of Michelangelo Buonarroti for bass and piano (1974)
  • Op. 145a: Suite on Verses by Michelangelo Buonarroti for bass and orchestra (1975)
  • Op. 146: Four Verses of Captain Lebyadkin to texts by Dostoevsky for bass and piano (1975)

Orchestrations of music by other composers

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Transcriptions of music by other composers

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In chronological order

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Op. number Title Instrumentation Year Notes
Five Piano Pieces (The Soldier, Fiery Sonata, The Noise of a Train, The Storm, The Tempest) Piano 1914–1915 Lost. Shostakovich used a theme from this work in "Immortality" from the Suite on Verses of Michelangelo Buonarroti.[3]
Hymn to Freedom Piano 1915–1916 Lost[3]
Taras Bulba (based on the eponymous story by Nikolai Gogol) Opera (instrumentation unknown) 1915–1916 Lost[3]
Revolutionary Symphony Orchestra 1917–April 1918 Partially lost[3]
Funeral March in Memory of the Victims of the Revolution Piano January 1918 Originally assigned Op. 5 along with Nostalgia. Dedicated to the memories of Kadets Fyodor Kokoshkin and Andrei Shingaryov, who were murdered on January 20, 1918, at the Mariinskaya Hospital [ru].[4]
Nostalgia Piano 1918 Originally assigned Op. 5 along with Funeral March in Memory of the Victims of the Revolution.Alternately known as Melancholia and The Soldier Reminiscing About his Homeland, which is unrelated to "The Soldier" from the Five Piano Pieces.[4]
Piano Pieces from the Exercise Book "1919" (Piece in C major, Prelude-March, In the Forest)[4] Piano 1919
Variations on Mikhail Glinka's "The Lark" Piano 1919 Unfinished[5]
Bagatelle Piano 1919 Dedicated to Marianna Fyodorovna Gramenitskaya.[5]
Two Preludes Piano 1919 Originally assigned Op. 1. Second piece is a revised version of the Bagatelle; dedicated to Boris Kustodiev.[5]
Exercise Pieces Piano 1919–1920 Consists of six pieces, the fifth of which is based on "In the Forest".[6]
Fantasy Piano duo 1919–1920 Dedicated to Alexander Glazunov.[7]
Exercise Piece Piano duo 1919–1920 Incomplete; theme reused in "The Ass and the Nightingale" from Two Fables of Ivan Krylov.[6]
Three Pieces (Minuet, Prelude, and Intermezzo) Piano 1919–1920 (possibly earlier)[6] Last piece incomplete. Extant manuscript, which was not written in Shostakovich's hand,[6] was preserved by Alexandra Rozanova, who had been his piano teacher 1917–spring 1919.[8]
1 Scherzo in F♯ minor Orchestra 1919 (or 1920⁠–⁠1921)[9] Based on a surviving movement from the partially destroyed early Piano Sonata in B minor.[10]
Prelude Cello 1920⁠–⁠1921 Incomplete[10]
The Gypsies, (based on the eponymous narrative poem by Alexander Pushkin) Opera (instrumentation unknown) 1920⁠–⁠1921 Incomplete. Only the vocal and piano score is extant.[11]
Piano Sonata in B minor Piano 1920⁠–⁠1921 Incomplete. Third movement orchestrated and assigned Op. 1. Part of the slow movement was orchestrated for an early attempt at a symphony,[11] then later incorporated into the Piano Trio No. 1.[9]
2 Eight Preludes Piano 1919–1921 Manuscript was destroyed by Shostakovich, but copies survived.[12]
Five Preludes Piano 1921 Selected by Shostakovich from the Eight Preludes as his contribution to an incomplete collaborative cycle of 24 preludes in all keys composed with fellow students Grigori Klements and Pavel Feldt.[12]
Orchestration of the first movement from Ludwig van Beethoven's Piano Sonata No. 32 Orchestra 1921–1922 Partially lost[12]
Orchestration of the second movement from Ludwig van Beethoven's Piano Sonata No. 8 Orchestra 1921–1922 Premiered in Schwerin, Germany, on March 2, 2020.[12]
Orchestration of the Fugue No. 7 in E♭ major from Johann Sebastian Bach's The Well-Tempered Clavier, Book II Small orchestra 1921–1922
Orchestration of Johannes Brahms' "Rhapsody" from the Klavierstücke, Op. 119 Orchestra 1921–1922 Partially lost[13]
3 Theme and Variations in B♭ major Orchestra 1921–1922 Dedicated to Nikolai Alexandrovich Sokolov.[14]
Three Pieces (Humoreske, Fugicha, Chromatic Fugue) Piano 1921–1922 Partially lost[15]
In the Beginning Was... Soprano, contralto, tenor, and bass, or SATB choir 1921–1922 Partially lost. Title is likely a reference to the Gospel of John.[15]
Arrangement of Nikolai Rimsky-Korsakov's "I Waited for Thee in a Grotto" Soprano and orchestra 1921–1922 Premiered in Moscow in 1980.[15]
Orchestration of Franz Schubert's Military March No. 1 Orchestra 1921–1922 Partially lost[16]
Orchestration of the fifth movement from Robert Schumann's Bilder aus Osten Orchestra 1921–1922 Partially lost[16]
5 Three Fantastic Dances Piano 1922 Originally published as Op. 1.[17] Shostakovich orchestrated the first dance for a class exercise (unpublished).[18]
6 Suite in F♯ minor Two pianos 1922 Dedicated to the memory of Dmitri Boleslavovich Shostakovich. The composer revised the score according to the instructions of his teacher Maximilian Steinberg, but destroyed this version after one performance.[19]
Seven Fugues Piano 1922–1923 The fifth fugue quotes the second Kyrie eleison from Bach's Mass in B minor.[19]
Rusalochka (based on The Little Mermaid by Hans Christian Andersen) Ballet (instrumentation unknown) 1922–1923 Shostakovich projected completing the ballet in summer 1924 in anticipation of its forthcoming scheduled premiere, but stopped work on it in December 1923, then destroyed the score in 1926.[20]
4 Two Fables of Ivan Krylov Mezzo-soprano and piano 1922 Arranged and revised for mezzo-soprano (with unison female chorus ad libitum in "The Ass and the Nightingale") and orchestra in 1924.[21]
8 Piano Trio No. 1 in C minor (alternatively known as Poem)[20] Piano, violin, and cello 1923 The work's last 22 measures, which are missing in the manuscript score, were completed by Boris Tishchenko in 1981.[20]
Dance Piano November 30, 1923 Dedicated to Zoya Shostakovich; work later reused in the score to Alone.[22]
Piano Quintet Two violins, viola, cello, and piano 1923 Originally assigned Op. 7. Scherzo was later reused and developed in the Scherzo, Op. 7.[22]
Piano Piece[21] Piano 1922–1924
9 Three Pieces (Fantasia, Prelude, Scherzo) Cello and piano December 30, 1923 – January 10, 1924 A fourth piece was destroyed immediately upon completion. The entire work is now lost, save for a sketch of the "Fantasia".[23]
Scherzo Orchestra 1923–1924 Probably destroyed in 1926.[23]
Suite for Violin and Piano Violin and piano 1923–1924 Lost. Dedicated to Veniamin Iosifovich Sher.[23]
Piano Sonata Piano 1923–1924 Lost. Two letters by Shostakovich and an entry in Steinberg's diary attest to its existence.[24]
7 Scherzo in E♭ major Orchestra 1923–1924 Arranged from the scherzo of the incomplete 1923 Piano Quintet.[24]
10 Symphony No. 1 in F minor Orchestra 1924–1925 Originally assigned Op. 11.[25]
11 Two Pieces String octet[2] 1924–1925 Originally assigned Op. 10. Drafts survive of a fugue that was planned to be the third piece.[26]
12 Piano Sonata No. 1 Piano 1926 Originally named October or October Sonata.[26]
Piano Concerto Piano and orchestra 1926 Only sketches remain. A solo trumpet part similar to the one later used in Op. 35 may have been planned.[27]
13 Aphorisms Piano 1927 Its ten pieces were selected from an original set of twelve.[27]
14 Symphony No. 2 in B major "To October" Orchestra and chorus 1927
16 Tahiti Trot (Arrangement of the song "Tea for Two" by Vincent Youmans) Orchestra 1928 Shostakovich slightly modified the work for use in The Golden Age on the request of Alexander Gauk.[28]
Main Street Orchestra 1927 Partial orchestration of a "synesthetic stage composition" by Mikhail Mikhailov, based on a text by Demyan Bedny.[29]
15 The Nose (based on Gogol) Vocal soloists, chorus, and orchestra 1927–1928 Suite arranged from the opera assigned Op. 15a.[30]
17 Two Pieces by Domenico Scarlatti Wind orchestra 1928 Arranged from the versions by Carl Tausig.[31]
18 Music to the silent film The New Babylon Small orchestra 1928–1929 Originally assigned Op. 17.[32] Suite assigned Op. 18a.[33]
19 Incidental music to the play The Bedbug by Vladimir Mayakovsky Orchestra 1928–1929 Vsevolod Meyerhold offered Shostakovich to compose the incidental music for Mayakovsky's play after his first choice, Sergei Prokofiev, refused. Suite assigned Op. 19a.[34] Orchestral versions of three numbers possibly lost. These have been reorchestrated from piano scores by Mark Fitz-Gerald.[35]
23 Two pieces for insertion into Erwin Dressel's opera Armer Columbus SATB chorus and orchestra 1929
20 Symphony No. 3 in E♭ major "The First of May" SATB chorus and orchestra 1929 Originally named A May Symphony.[36]
22 The Golden Age, ballet in three acts Orchestra 1929–1930 Originally named Dynamiada. Performance of the suite, assigned Op. 22a, preceded that of the ballet itself. The suite originally contained seven movements, although the number of movements and dances chosen varied widely in subsequent performances,[37] with one five-movement version including a rearrangement of Tahiti Trot.[38] Its definitive four-movement form was assembled in 1934.[37]
24 Incidental music to the play The Gunshot by Alexander Bezymensky Orchestra 1929 Originally assigned Op. 22.[39]
Arrangement of the "Song of the Volga Boatmen" Bass and orchestra 1929 Premiered on December 25, 1930.[40]
Reduction of the first movement from the Symphony No. 10 by Gustav Mahler Piano four-hands late 1920s Incomplete[40]
26 Music to the film Alone Orchestra 1930–1931 In addition to Shostakovich's suite, Op. 26a, Gennady Rozhdestvensky also assembled a three-movement suite.[41]
25 Incidental music to the play Virgin Soil by Arkadi Gorbenko and Nikolai Lvov Orchestra 1930 Not included in the new collected works edition of Shostakovich's music. Some numbers reused in The Bolt and The Limpid Stream.[42]
27 The Bolt, ballet in three acts Orchestra 1930–1931 Alexander Gauk arranged a suite from the ballet, Op. 27a, sometimes also titled "Ballet Suite No. 5".[43] Shortly thereafter, Shostakovich compiled his own suite, which dropped two movements, as well as movement titles which referred to the original ballet libretto.[44]
28 Incidental music to the play Rule, Britannia! by Adrian Piotrovsky Orchestra 1931
Impromptu Viola and piano 1931 Originally assigned Op. 33. Dedicated to Vadim Borisovsky; the manuscript was discovered in his documents stored at the Moscow State Central Archive in 2007. The manuscript is dated May 2, 1931.[45]
31 Incidental music to the music-hall show Hypothetically Murdered by Vsevolod Voyevodin [ru] and Yevgeny Ryss [ru] Orchestra 1931 All but two numbers from the orchestral score are lost. The remainder exists only in piano score, a selection of which were compiled and orchestrated into a suite by Gerard McBurney.[46]
30 Music to the film Golden Mountains Orchestra and organ 1931 Suite assigned Op. 30a. When the film was re-released in 1936, its epilogue, which included a scene of striking workers accompanied by a fugue for organ and orchestra, was cut. The fugue had been criticized during the campaign against musical formalism for being an unsuitable musical depiction of organized labor.[47]
Two Pieces (Elegy and Polka) Two violins, viola, and cello 1931 Originally assigned Op. 36. Dedicated to the Jean-Baptiste Villaume Quartet. The "Elegy" is an arrangement of Katerina's aria from Act I, scene 3 of Lady Macbeth of the Mtsensk District, while the "Polka" is an arrangement of "Once Upon a Time in Geneva" from The Golden Age.[48]
32 Incidental music to the play Hamlet by William Shakespeare Voices and orchestra 1931–1932 Suite assigned Op. 32a. Orchestral scores of five numbers are lost and exist only in piano scores. An additional two numbers were composed for a production of Hamlet in 1954.[49]
21 Six Romances on Texts by Japanese Poets Tenor and orchestra 1928–1932 Dedicated to Nina Vasilyevna Varzar, Shostakovich's first wife. Originally a tripartite work for tenor and piano composed in 1928 and assigned Op. 16. In 1931–1932, Shostakovich added three more songs.[50]
From Karl Marx to our Own Days Solo voices, chorus and orchestra 1932 Unfinished and lost. Five movements may have been planned, of which one was possibly completed.[51]
The Big Lightning Vocal soloists, chorus, and orchestra 1932 May originally have been named Powder in the Nail.[52]
Orango (satirical opera in three acts with a prologue based on a libretto by Alexei Tolstoy and Alexander Starchakov [ru]) Vocal soloists, SATB chorus, and orchestra 1932 Piano score discovered in 2006 in the archives of the Shostakovich family, which was subsequently orchestrated by Gerard McBurney. Premiered in Los Angeles on December 2, 2011.[53]
Incidental music to the play On Combat Course by Arkadi Gorbenko, Nikolai Lvov, and Mikhail Sokolovsky Chorus and orchestra 1932 Co-composed with Feodosiy Rubtsov [ru]. Although posters issued by TRAM credit Shostakovich, his involvement is considered unlikely.[54]
33 Music to the film Counterplan Chorus and orchestra 1932 The "Song of the Counterplan", with lyrics by Boris Kornilov, became one of Shostakovich's most famous works and a popular standard of Soviet song. Shostakovich reused it in his score to Michurin and his opera Moscow, Cheryomushki. Jean Renoir used it in his 1936 documentary La vie est à nous and was adapted by Harold Rome during World War II as "The Hymn of the United Nations".[55]
29 Lady Macbeth of the Mtsensk District, opera in four acts based on the eponymous novella by Nikolai Leskov Vocal soloists, SATB chorus, brass band, and orchestra 1930–1932 Libretto by Alexander Preis. The 1935 edition of the piano score includes over fifty amendments made to his text by Shostakovich, who was profoundly dissatisfied with its use of scatological terminology. Suite assigned Op. 29a. Sources conflict as to the number of movements chosen for the suite by Shostakovich.[56]
Passacaglia Organ 1932 Sources conflict as to whether the Passacaglia was conceived as an autonomous piece of music or originally intended for use as an interlude in performances of Lady Macbeth of the Mtsensk District.[57]
Orchestration of the overture to Ivan Dzerzhinsky's operetta The Green Company Orchestra 1931 Lost[58]
Madrigal (Impromptu) Voice and piano 1933 Composed and first performed during a birthday party for Lyubov Berg, secretary of MALEGOT. Title page states: "Words by Mikhail Pravdin, music by Dmitri Shostakovich, idea by Samuil Zinkovsky". First public performance by Larisa Shevchenko [ru] accompanied by Sofia Khentova [Wikidata] in Kiev in 1983. It was first published in 2015. The original manuscript is lost, but a photocopy is preserved in the Shostakovich Archives in Moscow.
34 24 Preludes Piano 1932–1933
35 Piano Concerto No. 1 Piano, solo trumpet, and strings 1933 Originally assigned Op. 34.[59]
"I Love..." Tenor and piano 1933 Nearly completed. Text possibly by Shostakovich.[60]
37 Incidental music to the play The Human Comedy by Pavel Sukhotin, based on the eponymous cycle of novels by Honoré de Balzac Small orchestra 1933–1934 Shostakovich also orchestrated pieces by Beethoven and Fritz Kreisler for use in his incidental music.[61]
Suite for Jazz Orchestra No. 1 Chamber ensemble 1934 Originally assigned Op. 38.[62]
Four Fugues (C major, A minor, G major, E minor) Piano 1934 The second fugue was reused with little alteration in Op. 87.[62]
Moderato Cello and piano 1934 Dating uncertain; possibly a sketch for the Cello Sonata.[63]
40 Sonata for Cello and Piano Cello and piano 1934
Narodvolotsy Opera (instrumentation unknown) 1934 Intended to be the second installment of a "Soviet Ring of the Nibelung", following Lady Macbeth of the Mtsensk District. The opera was abandoned after the death of Sergei Kirov. Some of its surviving music is related to the Four Fugues and Fourth Symphony.[64]
38 Music to the film Love and Hate Female chorus and orchestra 1934 Original score lost. Only piano sketches for eight cues and a published version of one of the film's songs are extant. Score reconstructed from the original soundtrack by Mark Fitz-Gerald.[65]
36 Music to the animated film The Tale of the Priest and of his Servant Balda Narrator, vocal soloists, SATB chorus, and orchestra 1933–1934 The film was never completed and what remained was destroyed during the siege of Leningrad in 1941, save for an approximately 200 ft (61 m) strip with the "Bazaar" scene. Original score is partially lost. Suite assigned Op. 36a, although its movements differ from another suite compiled by the composer that was premiered on June 1, 1935, by the Leningrad Philharmonic Orchestra conducted by Alexander Melik-Pashayev. Vadim Bibergan [ru] and Sofia Khentova have both produced performable completions.[66]
Funeral March on the Death of Sergei Kirov Unknown December 1934 Lost. Existence attested in the meeting records of the Leningrad branch of the Union of Soviet Composers, which reported that Shostakovich responded to Kirov's death with a "small funeral march".[67]
Suite for Bassoon and Piano Bassoon and piano 1934 Only an eight-measure sketch remains.[67]
Unfinished Symphony Orchestra 1934–1935 Incomplete draft of earlier and mostly unrelated version of the Fourth Symphony.[67]
39 The Limpid Stream, ballet in three acts Orchestra 1934–1935 Suite assigned Op. 39a. Sources conflict as to the dating and authorship of the suite.[68]
41 Music to the film The Youth of Maxim Soprano solo and orchestra 1934–1935 Only the film's overture and a number of sketches survive.[69]
41a Music to the film Girlfriends Male choir, three female voices, wind band, string quartet, and orchestra 1934–1935 Dedicated to Romain Rolland.[70] Partially lost. Score reconstructed from the original soundtrack recording by Mark Fitz-Gerald. Excerpts from Shostakovich's String Quartet No. 1 were added with permission from the composer upon the film's restoration in the 1960s.[71] One of the film's cues is based on music from Vincenzo Bellini's Norma.[70]
42 Five Fragments Small orchestra 1935 Originally assigned Op. 43.[72]
43 Symphony No. 4 in C minor Orchestra 1935–1936 Original score lost during the siege of Leningrad. Only transcription for two pianos as Op. 43a and instrumental parts for the cancelled premiere survived. The latter were discovered in 1961, whereupon the score was reconstructed by Boris Shalman, librarian of the Leningrad Philharmonic Orchestra.[73]
44 Incidental music to the play Salute to Spain! by Alexander Afinogenov Orchestra and chorus 1936 Shostakovich transposed one of the play's numbers, "Song of Rosita", from B minor to F♯ minor and gifted it to his sister Zoya for her birthday on August 24, 1939.[74]
"The Devils" High voice and piano 1936 Only sketches extant. Text by Pushkin. Possibly intended for Op. 46.[75]
45 Music to the film The Return of Maxim Solo voice, male choir, and orchestra 1936–1937
46 Four Romances on Verses by Alexander Pushkin Bass and piano 1936–1937 Originally planned as a twelve-song cycle. Shostakovich's orchestration of the first three songs, which according to Khentova was made in the 1960s, assigned Op. 46a.[76]
48 Music to the film Volochayev Days Male choir and orchestra 1936–1937 A song from the film, "Where the Waters Ripple", was reused by Shostakovich in his symphonic poem October. He also considered composing an opera based on the film.[77]
47 Symphony No. 5 in D minor Orchestra 1937 Sources unclear as to whether Shostakovich completed the symphony on July 27, 1937, or in September/October.[78]
Orchestration of Pierre De Geyter's "The Internationale" Brass band and orchestra 1937 Premiered in Novosibirsk, Russian SFSR, on October 4, 1941, by the Leningrad Philharmonic Orchestra conducted by Yevgeny Mravinsky.[79]
Transcription of Igor Stravinsky's Symphony of Psalms Piano duet 1937 Shostakovich made the transcription for use in his classes at the Leningrad Conservatory, where he taught composition and orchestration.[79] In 1962, he presented the score to Stravinsky during the latter's trip to the Soviet Union.[80]
49 String Quartet No. 1 in C major Two violins, viola, and cello 1938 Some sources append the subtitle Springtime to the quartet. The order of the outer movements was originally planned to be in reverse to their final form. Parts of the second movement were added to the soundtrack of Girlfriends when the film was re-released in the 1960s.[81]
51 Music to the film Friends SATB chorus and orchestra 1938 A cue for a cappella chorus is published separately as "Vocalise".[82]
53 Music to the film The Man with the Gun Brass band and orchestra 1938 The original film score is lost.[83]
52 Music to the film The Great Citizen, Part I Orchestra 1938
50 Music to the film The Vyborg Side Orchestra 1938 Manuscript lost.[84] Despite being assigned Op. 50a, Levon Atovmyan's Maxim suite includes no music from The Vyborg Side.[85]
Suite for Jazz Orchestra No. 2 Chamber ensemble 1938 Sketches and piano score discovered by Manashir Yakubov in 1999. Originally scored for the same ensemble as the Suite for Jazz Orchestra No. 1, but Shostakovich expanded the instrumentation at the request of Viktor Knushevitzky [ru].[86] Title of this work was incorrectly used to refer to the unrelated Suite for Variety Orchestra.[87] Original manuscript and instrumental parts are lost;[88] Gerard McBurney completed his reconstruction and orchestration of the score in 2000.[86] Shostakovich reused the main theme of the first movement, "Scherzo", in the second movement of his Symphony No. 8.[88]
55 Music to the film The Great Citizen, Part II Orchestra 1938–1939 Most of the score is lost.[89]
56 Music to the animated film The Story of a Silly Baby Mouse Narrator, vocal soloists, and orchestra 1939 Reconstructed by Boris Tiles based on the piano score and instrumental parts. Version with narrator and singers arranged by Andrew Cornall. Lullaby melody reused in finale of Op. 109.[90]
54 Symphony No. 6 in B minor Orchestra 1939 Originally published as Op. 53. The symphony's form and instrumentation diverged considerably from the descriptions he gave to the press. He had related that it would be a massive symphony for vocal soloists, chorus, and orchestra dedicated to the memory of Vladimir Lenin.[91]
Suite on Finnish Themes Soloists, chorus, chamber orchestra, piano 1939
The Twelve Chairs, operetta based on the eponymous novel by Ilf and Petrov Unknown 1939 Unfinished. Shostakovich may not have developed the music beyond a few sketches.[92]
Arrangement of the Russian folk song "Dubinushka [ru]" Bass and orchestra Late 1930s Manuscript discovered posthumously among Shostakovich's papers.[92]
Lenin Symphony Vocal soloists, SATB chorus, and orchestra 1938–1940? Shostakovich told the press that the symphony was inspired by Mayakovsky's poem "Vladimir Ilyich Lenin" and that it would set verses by Suleyman Stalsky and Zhambyl Zhabayuly.[93] Gerard McBurney said that Shostakovich may never have worked on this score, despite his reports to the contrary given across a span of over two years. In December 1940, Shostakovich said he had failed in his pursuit of composing a "Lenin Cantata".[92]
58a Incidental music for the play King Lear by Shakespeare Vocal soloists and orchestra 1940 Composed for a 1941 production by Grigori Kozintsev.[94]
58 Reorchestration of Modest Mussorgsky's opera Boris Godunov Vocal soloists, SATB chorus, orchestra 1939?–1940 Sources conflict as to whether Shostakovich began reorchestrating the opera in December 1939 or January 1940.[95]
57 Piano Quintet in G minor Two violins, viola, cello, and piano 1940
59 Music to the film The Adventures of Korzinkina SATB chorus, piano duet, and orchestra 1940 Precise number and order of cues for the film is unknown, but the manuscripts of at least 10 are held by the Shostakovich family. The score utilized music from Peter Ilyich Tchaikovsky's Swan Lake, Charles Gounod's Faust, and Shostakovich's orchestration of Mussorgsky's "Song of the Flea".[96]
Three Pieces (Prelude, Gavotte, Waltz) Solo violin 1940 Originally assigned Op. 59; lost.[96]
Arrangement of Johann Strauss Jr.'s Vergnügungszug (Pleasure Train Polka) Orchestra 1940 Orchestrated for use in a 1941 MALEGOT production of Strauss' Der Zigeunerbaron.[97]
Arrangement of Mussorgsky's "Song of the Flea"[97] Bass and orchestra 1940
Katyusha Maslova (opera based on Leo Tolstoy's novel Resurrection) Unknown 1941 Commissioned by the Kirov Opera in 1940. Work ceased after Glavrepertkom banned Anatoly Marienhof's libretto in 1941. Only sketches are extant.[97]
Twenty-Seven Songs for the Front (arrangements of songs and arias by Dmitry Pokrass, Daniil Pokrass [ru], Matvey Blanter, David Pritzker [ru], Yuri Milyutin [ru], Isaak Dunayevsky, Jean-Baptiste Weckerlin, Ludwig van Beethoven, Gioacchino Rossini, Georges Bizet, Ruggiero Leoncavallo, Alexey Verstovsky, Alexander Gurilyov, Alexander Dargomyzhsky, Modest Mussorgsky, Nikolai Rimsky-Korsakov, Mikhail Ippolitov-Ivanov, and Semyon Gulak-Artemovsky) Voices, violin, and cello 1941 Prepared for ensembles organized by the Leningrad Conservatory to play music at the frontlines.[98]
"Song of the Regiments of the Guards"[99] Bass, SATB chorus, and piano 1941
60 Symphony No. 7 in C major Orchestra 1941 Dedication in the manuscript reads: "To my native city, Leningrad".[100] March from the first movement reused in the score to the film The Fall of Berlin.[101]
"Ceremonial March" in D♭ major Wind band 1941 May have been composed as early as 1939.[102]
Polka in F♯ minor Harp duet 1941 Commissioned by Vera Dulova.[102]
"A Great Day Has Come" Bass, chorus, and piano 1941 Text by Vissarion Sayanov [ru]. Composed for the Song and Dance Ensemble [ru] of the NKVD.[103]
Reorchestration of Johann Strauss Jr.'s operetta Wiener Blut Unknown 1941 Project was never realized because of the German invasion of the Soviet Union.[103]
"Romance" Voice and piano 1941 Text by Heinrich Heine; lost.[103]
The Gamblers (opera based on the eponymous play by Gogol) Male voices and orchestra 1941–1942 Originally assigned Op. 63. Act I complete in piano score; full score missing last seven measures, which were orchestrated by Rozhdestvensky in 1981. Themes from the opera were reused in 1975 for the second movement of the Viola Sonata.[103]
63 Native Leningrad (suite from the NKVD revue Fatherland) Tenor, bass, SATB chorus, and orchestra 1942 Composed as a "tribute to the courage of the citizens of Leningrad". Shostakovich's suite was the first of a five-part collaborative revue produced by the Song and Dance Ensemble of the NKVD. Other composers who contributed music were Alexander Alexandrov, Viktor Bely, Dmitri Kabalevsky, Nikolai Chemberdzhi [ru], and Zinovy Dunayevsky [ru]. Lyrics by Sergei Alymov [ru].[104]
62 Six Romances on Verses by British Poets (texts by Sir Walter Raleigh, Robert Burns, Shakespeare, and anonymous) Bass and piano 1942 Each song is dedicated respectively to Levon Atovmyan [ru], Nina Shostakovich, Isaak Glikman, Georgy Sviridov, Ivan Sollertinsky, and Vissarion Shebalin.[105] The title in the manuscript score and first edition is Six Romances for Bass, while later sources erroneously use Six Romances on Verses by English Poets.[106] In 1943, Shostakovich arranged the suite for large orchestra and bass as Op. 62a, which was never performed during his lifetime. In 1971, he made a further arrangement for chamber orchestra and bass that he assigned Op. 140.[107]
61 Piano Sonata No. 2 in B minor Piano 1943
Eight British and American Folk Songs (arrangements of the folk songs "The Sailor's Bride", "John Anderson, my jo", "Billy Boy", "Oh, the Oak and the Ash", "King Arthur's Servants", "Comin' Thro' the Rye", "Spring Round Dance", and "When Johnny Comes Marching Home") Soprano, bass, and orchestra 1943 Originally a suite consisting of the first seven songs that was completed in May 1943, with the eighth added in July. The first confirmed performance of the complete cycle occurred on May 26, 1960.[108][107]
65 Symphony No. 8 in C minor Orchestra 1943 Dedicated to Yevgeny Mravinsky.[109] Unofficially nicknamed the "Stalingrad Symphony" by the American press after its United States premiere[110][111] An incomplete 125-measure portion of an alternate draft of the second movement, which includes piano, was published in Volume 8 of the DSCH New Collected Works.[109]
Anthem of the Soviet Union ("Glory to Our Soviet Fatherland") SATB chorus and orchestra 1943 Text by Yevgeny Dolmatovsky. This was Shostakovich's first entry in the competition to replace De Geyter's "The Internationale" as the new Soviet national anthem, which was organized by Joseph Stalin in 1942–1943. McBurney says that it has not been determined whether this work has ever been performed,[112] but Hulme cites that a performance was broadcast on All-Union Radio in February 1978.[113]
Anthem of the Soviet Union ("Unbreakable Union of Freeborn Republics") SATB chorus and orchestra 1943 Text by Sergey Mikhalkov and El-Registan, which was also set Alexander Alexandrov, whose entry was the eventual winner in the national anthem competition.[114] Shostakovich reused the melody of this setting in Russian River, Victorious Spring, and in Novorossiysk Chimes.[115]
Anthem of the Soviet Union ("Unbreakable Union of Freeborn Republics") (co-composed with Aram Khachaturian) SATB chorus and orchestra 1943 Shostakovich's third entry in the national anthem competition was a collaborative composition with Khachaturian, which placed among the finalists.[114]
"Invincible Red Army" (co-composed with Khachaturian) SATB chorus and orchestra 1943? Text by Mikhail Golodniy [ru]. Neither its composition date nor its relevancy to the national anthem competition have been ascertained.[114]
Completion and partial orchestration of the opera Rothschild's Violin by Veniamin Fleishman (based on the eponymous short story by Anton Chekhov) Voices and orchestra 1942–1944? Libretto by Preis. Fleishman started to compose the opera in 1939, but his death during the siege of Leningrad in 1941 prevented him from completing it. Only a central portion of the remaining torso had been orchestrated by him.[116]
64 Music to the film Zoya SATB chorus and orchestra 1944 Originally assigned Op. 68. The score utilizes a chorus from Glinka's A Life for the Tsar and De Geyter's "The Internationale". Atovmyan's suite, which includes his orchestration of the Prelude No. 14 from Op. 34, assigned Op. 64a.[117] According to Hulme, nine cues from the original score are missing.[118]
67 Piano Trio No. 2 in E minor Violin, cello, and piano 1944 Dedicated to the memory Ivan Sollertinsky.[119]
68 String Quartet No. 2 in A Major Two violins, viola, and cello 1944 Originally published as Op. 69. Dedicated to Shebalin.[120]
66 Music to the revue Russian River (based on a libretto by Mikhail Volpin, Iosif Dobrovolsky, and Nikolai Erdman) Soloists, choir, and orchestra 1944 Composed for the Song and Dance Ensemble of the NKVD. Partially lost. "The Battle of Stalingrad" number is based on Shostakovich's second entry for the 1943 national anthem contest.[121]
"A Toast to Our Motherland" Tenor, SATB chorus, and piano 1944 Text by Iosif Utkin.[121]
"The Black Sea" Bass, male choir, and piano 1944 Text by Alymov and N. Verkhovsky.[121]
Arrangement of the Scottish folk song "Annie Laurie" Voice and chamber orchestra 1944 The instrumentation is nearly indistinguishable from that of the Eight British and American Folk Songs,[122] for which it may have been originally intended.[123]
69 Children's Notebook Piano 1944–1945 Composed for Galina Shostakovich. The fanfare that initiates "Birthday" was reused in the Festive Overture, while "Clockwork Doll" reuses a theme from Op. 1.[124]
70 Symphony No. 9 in E♭ major Orchestra 1945
Murzilka Piano 1944–1945 Probably composed by Shostakovich for his children around the time of the Children's Notebook.[125]
"Our Native Russia Has Gained Strength From Storms" SATB chorus and orchestra 1945 Text by Stepan Shchipachev. Originally composed for use as the National Anthem of the RSFSR.[126]
Symphonic Fragment (first version of Symphony No. 9) Orchestra January 1945 Incomplete[126]
Violin Sonata Violin and piano 1945 Left incomplete after first movement's double exposition. Themes reused in the first movement of the Tenth Symphony.[127]
72 Two songs for the revue Victorious Spring (based on a libretto by Volpin, Dobrovolsky, and Erdman, with additional lyrics by Mikhail Svetlov) Soprano, tenor, female choir, and orchestra 1945 Composed for the Song and Dance Ensemble of the NKVD. A third number, "Hymn of the People's Victory", is the same as "Final Song" from Russian River, with refashioned lyrics by Dolmatovsky.[127]
71 Music to the film Simple People Orchestra 1945 Banned in 1946 and not rescreened until 1956.[128]
73 String Quartet No. 3 in F major Two violins, viola, and cello 1946 Dedicated to the Beethoven Quartet.[129]
74 Poem of the Motherland Mezzo-soprano, tenor, two baritones, bass, SATB chorus, brass band, and orchestra 1947 Composed to celebrate the 30th anniversary of the October Revolution, but was never performed at any associated commemorative events. The coda reuses the closing fanfare theme from Op. 20.[130]
76 Music to the film Pirogov Brass band and orchestra 1947 Suite by Atovmyan assigned Op. 76a.[131]
Arrangement of Arthur Honegger's Symphonie Liturgique Two pianos 1947 Shostakovich heard Honegger's symphony at the 1947 Prague Spring Festival. He composed a fair copy of his arrangement in the span of time he had access to the conductor's score between its two performances on May 16 and 17. It was intended for use in Shostakovich's composition classes, but he was fired from the Moscow and Leningrad Conservatories before he could use it. The manuscript was discovered posthumously.[131]
Three Pieces Orchestra 1947–1948 Originally assigned Op. 77. McBurney lists the score as lost, but also confirms Hulme's statement that the manuscript is extant.[132][133]
77 Violin Concerto No. 1 in A minor Violin and orchestra 1947–1948 Dedicated to David Oistrakh, who also edited the solo violin part. Originally published as Op. 99. According to correspondence between Shostakovich and Oistrakh in 1952, a private recording of the concerto was to be made in the composer's apartment in an arrangement for violin and two pianos. According to Igor Oistrakh, this recording took place, with Shostakovich and Lev Oborin playing the piano parts, although this is unverified. Neither the tape nor the arrangement of the concerto have been found.[134]
75 Music to the film The Young Guard Orchestra 1947–1948 Originally assigned Op. 76. Suite by Atovmyan assigned Op. 75a.[135]
79 From Jewish Folk Poetry Soprano, contralto, tenor, and piano 1948 Despite being assigned Op.79a, the version for voices and orchestra preceded the one with piano accompaniment.[136]
78 Music to the film Michurin SATB chorus, brass band, and orchestra 1948 Originally developed as a play entitled Life is in Bloom. Suite by Atovmyan assigned Op. 78a.[137]
80 Music to the film Encounter at the Elbe Tenor, SATB chorus, and orchestra 1948 Four cues are lost.[138] Suite by Shostakovich assigned Op. 80a.[139]
Antiformalistic Rayok Four voices, chorus, and piano 1948 Lev Lebedinsky's claim to have significantly contributed to its libretto are dubious.[140]
"Hymn to Moscow" SATB chorus and piano 1948 Text by Ilya Frenkel [ru]. Probably related to a composition competition organized in 1948 by Georgy Popov.[141]
"Merry March" Two pianos 1949 Dedicated to Maxim Shostakovich. Originally assigned Op. 81.[141]
81 Song of the Forests Tenor, bass, boys' chorus, SATB chorus, and orchestra 1949 Text by Dolmatovsky, who removed all references to Stalin and Stalinism in 1962.[142]
83 String Quartet No. 4 in D major String quartet 1949 Dedicated to Pyotr Williams [ru].[143]
82 Music to the film The Fall of Berlin Orchestra 1949 Suite by Atovmyan assigned Op. 82a.[144]
84 Two Romances on Verses by Mikhail Lermontov Voice and piano 1950 According to Malcolm MacDonald, these songs were intended to be part of a larger song cycle.[145]
"Our Song" Bass, SATB chorus, and piano 1950 Text by Konstantin Simonov. Originally intended for chorus and orchestra.[145]
"March of Peace Champions" Chorus and piano 1950? Text by Simonov.[145]
85 Music to the film Belinsky SATB chorus and orchestra 1950 Suite by Atovmyan assigned Op. 85a. According to Lev Danilovich, one of Shostakovich's Soviet biographers, the film was never released.[146]
"German March" Woodwinds and percussion 1950 Only surviving contribution by Shostakovich for a film by Lev Arnshtam tentatively entitled Warmongers (Russian: Поджигатели войны, romanized: Podzhigateli voyny); a biopic about Georgi Dimitrov and his prosecution for alleged involvement in the Reichstag fire. Ideological bickering interrupted production in 1951. By the time the film was released in 1956, it had been significantly altered, renamed A Lesson in History, and was scored by Kara Karayev.[147]
87 Twenty-Four Preludes and Fugues Piano 1950–1951
86 Four Songs to Words by Yevgeny Dolmatovsky Voice and piano 1950–1951 The first song, "The Motherland Hears", originally scored for solo voice and a cappella chorus.[148]
88 Ten Poems on Texts by Revolutionary Poets of the Late 19th and Early 20th Centuries SATB chorus 1951 The sixth song, "The Ninth of January", is quoted in the Symphony No. 11.[149]
Ten Russian Folk Song Arrangements Soloists, mixed chorus and piano 1951 Originally assigned Op. 89.[150]
89 Music to the film The Unforgettable Year 1919 Piano, SATB chorus, and orchestra 1951 One cue, which in the film depicts the Red Army's assault on Krasnaya Gorka [ru] during the Russian Civil War, is occasionally played on its own as a single-movement piano concerto.[151]
90 The Sun Shines Over Our Motherland Boys' chorus, SATB Chorus, and orchestra 1952 Text by Dolmatovsky. Originally projected to be the first of a three-part work entitled Cantata About the Party. Subsequent movements, "The Standard-bearers of the 20th Century" and "Won in Persistent Struggles", never progressed beyond sketches.[152]
91 Four Monologues on Verses by Alexander Pushkin Bass and piano 1952 According to McBurney the cycle was never performed while Shostakovich was alive,[153] but Khentova records that Askold Besedin [ru] sang it in recital during the 1964 Shostakovich Festival in Gorky.[154]
92 String Quartet No. 5 in B♭ major String quartet 1952
Music to the film Rimsky-Korsakov Orchestra 1952 Shostakovich had been approached to compose the score after the death of Vladimir Shcherbachov, who had been the first choice. He composed six cues before ceding the job to Georgy Sviridov. Nevertheless, three of six cues that Shostakovich composed were used in the film uncredited.[155]
Russian Folksongs Flute and piano 1952? Collection of nineteen folk song arrangements.[156]
Greek Songs Voice and piano 1952–1953
Arrangement of Joan Smith's song "Bird of Peace" Voice and piano 1953 The song was awarded second place at a youth festival in Bucharest in 1953.[157]
93 Symphony No. 10 in E minor Orchestra 1953
94 Concertino in A minor Two pianos 1953 Dedicated to Maxim Shostakovich.[158]
98 Five Romances on Verses by Yevgeny Dolmatovsky Bass and piano 1954 Originally assigned Op. 95. Alternately known as Songs of Our Days. The cycle was later performed by Boris Gmyrya, who extensively revised the score with Shostakovich's approval.[159]
95 Music to the film Song of the Great Rivers SATB chorus and orchestra 1954 Alternately known as Unity and Seven Rivers. "Introduction" cue sets a text by Bertolt Brecht. An additional three cues depicting atomic warfare are unpublished. Manuscript score partially lost.[160]
96 Festive Overture Orchestra 1954 Sources conflict as to whether the work was composed in 1947 or 1954.[161]
Tarantella Two pianos 1954
"There Were Kisses..." Bass and piano 1954? Text by Dolmatovsky. Originally composed for the Op. 89 cycle, but was excluded from it for reasons unknown.[162]
97 Music to the film The Gadfly Organ and orchestra 1955 Khachaturian had originally been assigned to score the film, but poor health forced him to discontinue work.[163] Atovmyan's suite, which significantly alters the original music, assigned Op. 97a.[164]
99 Music to the film The First Echelon Orchestra 1955–1956 Suite by Atovmyan assigned Op. 99a.[165]
100 Spanish Songs Mezzo-soprano and piano 1956 Arrangements of Spanish folk songs.[166]
101 String Quartet No. 6 in G major Two violins, viola, and cello 1956
Suite for Variety Orchestra No. 1 Pops orchestra after 1956 Compiled and arranged by Atovmyan. An editorial error in 1984 resulted in the work being often mistaken for the unrelated Suite for Jazz Orchestra No. 2.[167]
102 Piano Concerto No. 2 in F major Piano and orchestra 1957 Dedicated to Maxim Shostakovich.[168]
103 Symphony No. 11 in G minor "The Year 1905" Orchestra 1957 Along with the Russian revolutionary songs utilized in the symphony, Shostakovich also quoted an extract from Sviridov's operetta Sparks.[169]
Three Choruses for the Fortieth Anniversary of the October Revolution SATB chorus and piano 1957 Manuscript lost.[170]
Eleven Variations on a Theme by Mikhail Glinka Piano 1957 Based on a theme from A Life for the Tsar. Collaborative project with Eugen Kapp, Vissarion Shebalin, Andrei Eshpai, Rodion Shchedrin, Georgi Sviridov, Yuri Levitin, and Dmitry Kabalevsky to commemorate the centennial of Glinka's death. Shostakovich contributed variations VIII, IX, and XI.[170]
104 Two Russian Folk Songs SATB chorus 1957 Alternatively known as Cultivation.[171]
105 Moscow, Cheryomushki, operetta in three acts based on a libretto by Vladimir Mass [ru] and Mikhail Chervinsky [ru] Voices, SATB chorus, and orchestra 1958 The film version directed by Herbert Rappaport, which included new numbers by Shostakovich, assigned Op. 105a.[172]
106 Orchestration and completion of Modest Mussorgsky's opera Khovanshchina Voices, SATB chorus, and orchestra 1959 The end of Act II and the opera's epilogue are composed by Shostakovich. The film version directed by Vera Stroyeva assigned Op. 106a.[173]
107 Cello Concerto No. 1 in E♭ major Cello and orchestra 1959 Dedicated to Mstislav Rostropovich, who also edited the solo cello part.[174]
108 String Quartet No. 7 in F♯ minor Two violins, viola, and cello 1960 Dedicated to the memory of Nina Shostakovich.[175]
109 Satires (Pictures of the Past) Soprano and piano 1960 Texts by Sasha Chorny. Dedicated to Galina Vishnevskaya, who also devised the work's subtitle. Orchestration by Tishchenko published as Op. 109a.[176]
110 String Quartet No. 8 in C minor Two violins, viola, and cello 1960 Dedicated to "the memory of the victims of fascism and war".[177]
111 Music to the film Five Days, Five Nights Organ and orchestra 1960 Suite by Atoymyan, assigned Op. 111a, includes a quote from the "Ode to Joy" theme from Beethoven's Ninth Symphony.[178]
Novorossiysk Chimes (The Flame of Eternal Glory) Orchestra 1960 Commissioned by the city of Novorossiysk to commemorate the "heroes of the Great Patriotic War". Based on Shostakovich's second entry for the 1943 contest to determine the new national anthem of the Soviet Union.[179]
112 Symphony No. 12 in D minor "The Year 1917" Orchestra 1961
Unfinished String Quartet Two violins, viola, and cello 1961 Draft of a first movement for one of Shostakovich's first two unsuccessful attempts to compose a String Quartet No. 9. Complete score possibly destroyed by the composer. Completed by Roman Ledenyov [ru].[180]
113 Symphony No. 13 in B♭ minor Bass, bass chorus, and orchestra 1962
Orchestration of Mussorgsky's Songs and Dances of Death Soprano or bass and orchestra 1962 Dedicated to Vishnevskaya. Shostakovich transposed the last song, "The Field Marshal", down to B♭ minor in order to accommodate male singers with low registers.[181]
114 Katerina Izamailova, opera in four acts based on the novella Lady Macbeth of the Mtsensk District by Leskov Voices, SATB chorus, brass band, and orchestra 1956–1963 Final version of Op. 32, with a revised libretto by Isaak Glikman. Shostakovich extensively altered the musical material and repeatedly expressed his preference for Op. 114 over Op. 32. His suite of five entr'actes from the opera designated Op. 114a.[182]
125 Reorchestration of Robert Schumann's Cello Concerto in A minor Cello and orchestra 1963 Dedicated to Rostropovich[183]
124 Two Choruses, arranged from the oratorio The Road to October by Alexander Davidenko SATB chorus and orchestra 1963 Originally were not assigned an opus number.[183]
115 Overture on Russian and Kirghiz Folk Themes Orchestra 1963 Although the work utilizes real Kirghiz folk melodies, the "Russian" themes are folk-style melodies by Shostakovich.[184]
116 Music to the film Hamlet Orchestra 1963–1964 The manuscript score is preserved by the Shostakovich family. Suite by Atovmyan assigned Op. 116a.[185]
117 String Quartet No. 9 in E♭ major String quartet 1964 Dedicated to Irina Shostakovich, the composer's third wife.[186]
118 String Quartet No. 10 in A♭ major String quartet 1964 Dedicated to Mieczysław Weinberg[186]
119 The Execution of Stepan Razin Bass, SATB chorus, and orchestra 1964 Text by Yevtushenko[187]
Incidental music to Yevgeny Onegin (play by Nikolay Akimov based on the eponymous verse poem by Pushkin) Orchestra 1964 Premiered January 1965. Orchestral parts and piano score held in the archives of the Mariinsky Theatre.[187]
120 Music to the film A Year Is Like a Lifetime Orchestra 1965 Suite by Atovmyan assigned Op. 120a.[188]
121 Five Romances on Texts from the Magazine Krokodil Bass and piano 1965 Orchestration by Tishchenko assigned Op. 121a.[189]
122 String Quartet No. 11 in F minor String quartet 1966 Dedicated to Vasily Shirinsky[190]
123 Preface to the Complete Edition of My Works and a Brief Reflection on this Preface Bass and piano 1966 Orchestration by Leonid Desyatnikov assigned Op. 123a.[191]
126 Cello Concerto No. 2 in G minor Cello and orchestra 1966 Dedicated to Rostropovich. First and third movements quoted in "To Anna Akhmatova" in Op. 143.[192]
Suite for Variety Orchestra No. 2 (Introduction, Waltz, Intermezzo, Finale) Pops orchestra before 1967 As with the Suite for Variety Orchestra No. 1, this was probably compiled and arranged by Atovmyan. Utilizes music from Alone, The Adventures of Korzinkina, Love and Hate, Pirogov, and the partially lost Suite for Jazz Orchestra No. 2; some of the source works had been unused in their original projects. First documented performance by the Chicago Symphony Orchestra conducted by Morton Gould in 1967.[193]
127 Seven Songs on Poems by Alexander Blok Soprano, violin, cello, and piano 1967 Dedicated to Vishnevskaya.[194]
129 Violin Concerto No. 2 in C♯ minor Violin and orchestra 1967 Dedicated to Oistrakh, who also edited the solo violin part. A 138-measure fragment of an earlier version of the first movement in F♯ minor is extant.[195]
131 October Orchestra 1967 One of its themes is based on the song "Where the Waters Ripple" from Volochayev Days.[196]
132 Music to the film Sofiya Perovskaya Female choir, children's choir, brass band, and orchestra 1967
128 "Spring, Spring" Bass and piano 1967 Text by Pushkin; intended to be the first in a four-part song cycle on his verses. Discovered posthumously. Orchestrated by Rozhdestvensky.[197]
130 Funeral-Triumphal Prelude Orchestra 1967 Dedicated "in memory of the heroes of the Battle of Stalingrad".[198] Intended for use at Mamayev Kurgan.[199]
133 String Quartet No. 12 in D♭ major Two violins, viola, and cello 1968
134 Sonata for Violin and Piano Violin and piano 1968 Dedicated to Oistrakh and composed for his 60th birthday.[200]
135 Symphony No. 14 Soprano, bass, string orchestra, and percussion 1969 Shostakovich adapted the vocal line of the tenth movement, "The Poet's Death", to fit Rainer Maria Rilke's original verses for publication in East Germany in 1970. Another version with the texts in their original languages was prepared by Jörg Morgener for Dietrich Fischer-Dieskau in 1971 with the composer's approval.[201]
Reorchestration of Boris Tishchenko's Cello Concerto No. 1 Cello and orchestra 1969 Tischchenko's 1963 original was for winds, percussion, and harmonium.[202] Shostakovich presented the score to him as a 30th birthday gift on March 23, 1969.[203]
Quiet Flows the Don, based on the eponymous novel by Mikhail Sholokhov Unknown 1965–1970? Despite reports saying otherwise, it is probable that Shostakovich never worked on this opera.[202]
136 Loyalty Male chorus 1970 Texts by Dolmatovsky. Dedicated to Gustav Ernesaks.[204]
137 Music to the film King Lear SATB chorus and orchestra 1970 Includes reworked material from Op. 58a. A capella "People's Lamentation" also used in the String Quartet No. 13.[205]
138 String Quartet No. 13 in B♭ minor String quartet 1970 Dedicated to Vadim Borisovsky.[206]
139 "March of the Soviet Militia" Military band/Wind orchestra 1970
140 Six Romances on Verses by British Poets Bass and chamber orchestra 1971 Re-orchestration of Op. 62 premiered by Rudolf Barshai's Moscow Chamber Orchestra.[207]
Yelabuga Nail Voice and piano 1971 Unpublished setting of poem by Yevgeny Yevtushenko.[208]
141 Symphony No. 15 in A major Orchestra 1971
Intervision Orchestra 1971 Commissioned by the Intervision Network for use in its news broadcasts.[209]
Arrangement of Gaetano Braga's "Serenade" Soprano, mezzo-soprano, violin, and piano 1972 Intended for use in Shostakovich's unrealized opera based on Anton Chekhov's "The Black Monk".[210]
142 String Quartet No. 14 in F♯ major String quartet 1973 Dedicated to Sergei Shirinsky.[210]
143 Six Poems by Marina Tsvetayeva Contralto and piano 1973 Orchestration as Op.143a.
Music to the film Gogoliad (based on Gogol) Orchestra 1973 Left incomplete upon director Grigori Kozintsev's death in May 1973.[211]
144 String Quartet No. 15 in E♭ minor String quartet 1974
String Quartet No. 16 String quartet 1974 Never realized
145 Suite on Verses of Michelangelo Buonarroti Bass and piano 1974 Orchestration assigned Op.145a.[212]
146 Four Verses of Captain Lebyadkin Bass and piano 1974 Based on texts from the novel Demons by Fyodor Dostoyevsky. Orchestration by Tishchenko assigned Op. 146a.[213]
Orchestration of Beethoven's "Es war einmal ein König" ("Mephistopheles' Song of the Flea") Bass and orchestra 1975 Text by Johann Wolfgang von Goethe from Faust.[212]
147 Sonata for Viola and Piano Viola and piano 1975 Dedicated to Fyodor Druzhinin.[214]
Symphony No. 16 Orchestra 1975 According to news reports in the West, Shostakovich had completed two movements. This was followed by an April 1976 report in Soviet Weekly that said "Shostakovich's last work" had been completed by Andrey Petrov and premiered. Neither Petrov's own catalog of compositions nor Maxim Shostakovich's recollections confirms this. The latter told Yevgeny Nesterenko that his father considered Op. 145a his "Sixteenth Symphony".[214]
Unidentified orchestral work Orchestra 1975 Benjamin Britten and Mstislav Rostropovich mentioned this work in passing when they met for the final time in November 1976. Shostakovich was commissioned to compose this work for Rostropovich's first season as the music director of the National Symphony Orchestra, but died before he could complete it.[215]

References

[edit]

Footnotes

[edit]
  1. ^ Digonskaja 2010, pp. 71–72.
  2. ^ a b Heyer, 2012. p.22
  3. ^ a b c d McBurney 2023, p. 20.
  4. ^ a b c McBurney 2023, p. 21.
  5. ^ a b c McBurney 2023, p. 22.
  6. ^ a b c d McBurney 2023, p. 23.
  7. ^ Hulme 2010, p. 2.
  8. ^ Moshevich, Sofia (2004). "Chapter 1: Roots, 1906–1923". Dmitri Shostakovich, Pianist. Montreal: Mc Gill-Queen's University Press. pp. 11–12. ISBN 0773525815.
  9. ^ a b Digonskaja 2010, pp. 53–73
  10. ^ a b McBurney 2023, p. 24.
  11. ^ a b McBurney 2023, p. 25.
  12. ^ a b c d McBurney 2023, p. 27.
  13. ^ McBurney 2023, p. 28.
  14. ^ McBurney 2023, p. 29.
  15. ^ a b c McBurney 2023, p. 30.
  16. ^ a b McBurney 2023, p. 31.
  17. ^ McBurney 2023, p. 32.
  18. ^ Digonskaja 2010, p. 67.
  19. ^ a b McBurney 2023, p. 33.
  20. ^ a b c McBurney 2023, p. 34.
  21. ^ a b McBurney 2023, p. 36.
  22. ^ a b McBurney 2023, p. 35.
  23. ^ a b c McBurney 2023, p. 37.
  24. ^ a b McBurney 2023, p. 38.
  25. ^ McBurney 2023, p. 39.
  26. ^ a b McBurney 2023, p. 40.
  27. ^ a b McBurney 2023, p. 41.
  28. ^ McBurney 2023, p. 43.
  29. ^ McBurney 2023, p. 44.
  30. ^ McBurney 2023, p. 47.
  31. ^ McBurney 2023, p. 48.
  32. ^ McBurney 2023, p. 50.
  33. ^ McBurney 2023, p. 51.
  34. ^ McBurney 2023, p. 53.
  35. ^ McBurney, Gerard. "The Bedbug, Op. 19" (PDF). Chandos Records. Retrieved 23 April 2021.
  36. ^ McBurney 2023, p. 55.
  37. ^ a b McBurney 2023, p. 59.
  38. ^ Tartakovskaya, Natal'ya (July–September 2006). "Some Autographs of Tchaikovsky, Glazunov, and Shostakovich in British Archives". Fontis Artis Musicæ. 53 (3): 224. JSTOR 23510749 – via JSTOR.
  39. ^ McBurney 2023, p. 60.
  40. ^ a b McBurney 2023, p. 61.
  41. ^ McBurney 2023, p. 64–65.
  42. ^ McBurney 2023, p. 66–67.
  43. ^ McBurney, Gerard. "Suite from The Bolt (Ballet Suite No.5) op. 27a (1931, rev.1934)". Boosey & Hawkes. Retrieved 23 April 2021.
  44. ^ Stewart, Michael. "Shostakovich: The Dance Album". Gramophone. Retrieved 23 April 2021.
  45. ^ McBurney 2023, p. 74.
  46. ^ McBurney 2023, p. 76.
  47. ^ McBurney 2023, p. 79–80.
  48. ^ McBurney 2023, p. 82.
  49. ^ McBurney 2023, p. 85–86.
  50. ^ McBurney 2023, p. 87.
  51. ^ McBurney 2023, p. 88.
  52. ^ McBurney 2023, p. 89.
  53. ^ McBurney 2023, p. 90.
  54. ^ McBurney 2023, p. 91.
  55. ^ McBurney 2023, pp. 92–93.
  56. ^ McBurney 2023, p. 96.
  57. ^ McBurney 2023, p. 98.
  58. ^ McBurney 2023, p. 99.
  59. ^ McBurney 2023, p. 102.
  60. ^ McBurney 2023, p. 103.
  61. ^ McBurney 2023, p. 105.
  62. ^ a b McBurney 2023, p. 106.
  63. ^ McBurney 2023, p. 107.
  64. ^ McBurney 2023, p. 108.
  65. ^ Fitz-Gerald, Mark. "Major reconstruction of the score for Love and Hate" (PDF). Chandos Records. Archived from the original (PDF) on April 27, 2023. Retrieved April 23, 2021.
  66. ^ McBurney 2023, pp. 110–114.
  67. ^ a b c McBurney 2023, p. 115.
  68. ^ McBurney 2023, p. 120.
  69. ^ McBurney 2023, p. 121.
  70. ^ a b McBurney 2023, p. 123.
  71. ^ Fitz-Gerald, Mark. "A note on the reconstruction" (PDF). Chandos Records. Archived from the original (PDF) on April 27, 2023. Retrieved April 23, 2021.
  72. ^ McBurney 2023, p. 124.
  73. ^ McBurney 2023, p. 125.
  74. ^ McBurney 2023, p. 126.
  75. ^ McBurney 2023, p. 127.
  76. ^ McBurney 2023, p. 131.
  77. ^ McBurney 2023, p. 132.
  78. ^ McBurney 2023, p. 133.
  79. ^ a b McBurney 2023, p. 134.
  80. ^ Craft, Robert (1972). Stravinsky: Chronicle of a Friendship, 1948/1971 (1st ed.). New York City: Alfred A. Knopf. p. 206. ISBN 0-394-47612-3.
  81. ^ McBurney 2023, p. 135.
  82. ^ McBurney 2023, p. 136.
  83. ^ McBurney 2023, p. 137.
  84. ^ McBurney 2023, p. 139.
  85. ^ McBurney 2023, p. 140.
  86. ^ a b Hulme 2010, p. 197.
  87. ^ Hulme 2010, p. 198.
  88. ^ a b McBurney 2023, p. 141.
  89. ^ McBurney 2023, p. 142.
  90. ^ McBurney 2023, p. 143.
  91. ^ McBurney 2023, p. 144.
  92. ^ a b c McBurney 2023, p. 146.
  93. ^ Hulme 2010, p. 588.
  94. ^ McBurney 2023, p. 147.
  95. ^ McBurney 2023, p. 149.
  96. ^ a b McBurney 2023, p. 150.
  97. ^ a b c McBurney 2023, p. 151.
  98. ^ McBurney 2023, p. 153.
  99. ^ McBurney 2023, p. 154.
  100. ^ Hulme 2010, p. 230.
  101. ^ McBurney 2023, p. 155.
  102. ^ a b McBurney 2023, p. 156.
  103. ^ a b c d McBurney 2023, p. 157.
  104. ^ McBurney 2023, p. 159.
  105. ^ McBurney 2023, p. 160.
  106. ^ Hulme 2010, p. 248.
  107. ^ a b McBurney 2023, p. 161.
  108. ^ Hulme 2010, pp. 250–251.
  109. ^ a b McBurney 2023, p. 163.
  110. ^ Khentova 1986, p. 193.
  111. ^ Hulme 2010, p. 261.
  112. ^ McBurney 2023, p. 164.
  113. ^ Hulme 2010, p. 254.
  114. ^ a b c McBurney 2023, p. 165.
  115. ^ Hulme 2010, p. 255.
  116. ^ McBurney 2023, p. 166.
  117. ^ McBurney 2023, pp. 167–168.
  118. ^ Hulme 2010, p. 252.
  119. ^ McBurney 2023, p. 169.
  120. ^ McBurney 2023, p. 170.
  121. ^ a b c McBurney 2023, p. 171.
  122. ^ McBurney 2023, p. 172.
  123. ^ Hulme 2010, p. 251.
  124. ^ McBurney 2023, p. 173.
  125. ^ McBurney 2023, p. 174.
  126. ^ a b McBurney 2023, p. 175.
  127. ^ a b McBurney 2023, p. 176.
  128. ^ McBurney 2023, p. 177.
  129. ^ McBurney 2023, p. 178.
  130. ^ McBurney 2023, p. 179.
  131. ^ a b McBurney 2023, p. 181.
  132. ^ McBurney 2023, p. 182.
  133. ^ Hulme 2010, p. 589.
  134. ^ McBurney 2023, p. 183.
  135. ^ McBurney 2023, p. 185.
  136. ^ McBurney 2023, p. 187.
  137. ^ McBurney 2023, p. 188–189.
  138. ^ McBurney 2023, p. 190.
  139. ^ McBurney 2023, p. 191.
  140. ^ McBurney 2023, p. 192.
  141. ^ a b McBurney 2023, p. 193.
  142. ^ McBurney 2023, p. 194.
  143. ^ McBurney 2023, p. 195.
  144. ^ McBurney 2023, p. 197.
  145. ^ a b c McBurney 2023, p. 199.
  146. ^ McBurney 2023, pp. 200–201.
  147. ^ Dombrovskaya, Ol'ga (2008). "Музыкальное изображение события: О музыке Шостаковича для фильма "Урок истории"". Сеанс (in Russian). Archived from the original on May 18, 2023. Retrieved May 18, 2023.
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  149. ^ McBurney 2023, p. 205.
  150. ^ McBurney 2023, p. 206.
  151. ^ McBurney 2023, p. 209.
  152. ^ McBurney 2023, p. 210.
  153. ^ McBurney 2023, p. 211.
  154. ^ Khentova 1986, p. 408.
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  164. ^ McBurney 2023, p. 225.
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  166. ^ McBurney 2023, p. 229.
  167. ^ Yakubov, Manashir (2000). "Сюита для эстрадного оркестра или Сюита для джаз-оркестра № 2?". In Wulfson, Alexei (ed.). Шостакович: между мгновением и вечностью. Документы, материалы, статьи (in Russian). St. Petersburg: Композитор. pp. 329–330. ISBN 5-7379-0094-0.
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  169. ^ McBurney 2023, p. 233.
  170. ^ a b McBurney 2023, p. 234.
  171. ^ McBurney 2023, p. 235.
  172. ^ McBurney 2023, p. 239.
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  174. ^ McBurney 2023, p. 241.
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  199. ^ Hulme 2010, p. 506.
  200. ^ McBurney 2023, p. 278.
  201. ^ McBurney 2023, p. 279.
  202. ^ a b McBurney 2023, p. 280.
  203. ^ Hulme 2010, p. 517.
  204. ^ McBurney 2023, p. 281.
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  206. ^ McBurney 2023, p. 284.
  207. ^ McBurney 2023, p. 286.
  208. ^ Fay, Laurel (2000). Shostakovich: A Life. Oxford University Press. p. 270. ISBN 978-0195182514.
  209. ^ "Shostakovich, Dmitry (1906-1975). Two autograph music manuscripts". Christie's. 2005. Archived from the original on December 17, 2021. Retrieved May 30, 2021.
  210. ^ a b McBurney 2023, p. 288.
  211. ^ McBurney 2023, p. 290.
  212. ^ a b McBurney 2023, p. 294.
  213. ^ McBurney 2023, p. 293.
  214. ^ a b McBurney 2023, p. 295.
  215. ^ Carpenter, Humphrey (1992). Benjamin Britten: A Biography. New York City: Charles Scribner's Sons. p. 581. ISBN 0-460-86077-1. You see, Shostakovich has started to write a piece for my first season in Washington, but then he died [in 1975]; so Ben had said, 'Now I must write [Praise We Great Men] twice—once for myself and once for our Dimity [sic].'

Cited sources

[edit]
  • Digonskaja, Ol'ga (2010). "Mitya Shostakovich's first opus (dating the Scherzo op. 1)". In Fairclough, Pauline (ed.). Shostakovich Studies 2. Cambridge: Cambridge University Press. ISBN 978-0521111188.
  • Hulme, Derek C. (2010). Dmitri Shostakovich: The First Hundred Years and Beyond. Scarecrow Press. ISBN 9780810872646.
  • Khentova, Sofia (1986). Шостакович. Жизнь и творчество [Shostakovich. Life and work, vol. 2] (in Russian). Vol. 2. Moscow: Советский композитор.
  • McBurney, Gerard (March 2023). "Shostakovich: Work List" (PDF). Boosey & Hawkes. Archived from the original (PDF) on April 24, 2023. Retrieved April 24, 2023.
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